EAN13
9781913645205
ISBN
978-1-913645-20-5
Éditeur
Paul Holberton Publishing
Date de publication
Nombre de pages
152
Dimensions
26,1 x 21,6 x 1,2 cm
Poids
590 g
Langue
français
Fiches UNIMARC
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Van Gogh

Self-Portraits

Paul Holberton Publishing

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This important publication accompanies the first ever exhibition devoted to Vincent
van Gogh’s self-portraits across his entire career. The exhibition at the Courtauld
Gallery and accompanying catalogue feature world-famous and lesser known works
from the great artist.
The myth of Van Gogh today is linked as much to his extraordinary life as it is to his stunning paintings. His biography has often shaped the way that his self-portraits have been (mis)understood. Van Gogh. Self-Portraits reconsiders this aspect of his production and places the artist’s self-representation in context to reveal the role it plays in his oeuvre. It also explores the power and profound emotion of these highly personal paintings.
Van Gogh. Self-Portraits is the first time this theme has been exclusively addressed.
Self-portraits painted during Van Gogh’s time in Paris (February 1886 – February 1888)
have been the subject of two exhibitions (in 1960 at Marlborough Fine Arts in London
and in 1995 at the Kunsthalle in Hamburg) but never has the full chronological range
been explored. The exhibition at The Courtauld Gallery features paintings from both the Parisian and Provençal periods. It brings together half of Van Gogh’s thirty-five known self-portraits to examine the ways the artist approached this particular subject-matter. On a practical level, painting himself provided Van Gogh with the cheapest and most patient of models and represented an important conduit for stylistic experimentation. He also used self-portraiture as an homage to his illustrious Dutch predecessor Rembrandt, as well as a way of fashioning his own identity and presenting himself to the outside world.
Of particular interest is the striking way the evolution of Van Gogh’s self-representation
over the short years of his artistic activity can be seen as a microcosm of his development
as a painter.
In addition to the world-famous Self-Portrait with Bandaged Ear in The Courtauld’s
collection, the exhibition showcases a group of major masterpieces brought together
from international collections, including the Van Gogh Museum in Amsterdam, the
Musée d’Orsay in Paris, the Art Institute of Chicago and the National Gallery of Art in
Washington, D.C. among others. This beautifully illustrated catalogue includes detailed entries on each work, an appendix illustrating all of Van Gogh’s self-portraits and three insightful essays on the theme.
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